Though only 16, Audrey Shepherd is as poised and articulate as any 20-something. Her demeanor is that of a young professional; so is her skill as a principal bassoonist with the Sacramento Youth Symphony.

Though a new rapid rehousing initiative may stymy the troubling trend locally, some providers remain concerned that a lack of mandatory supportive services and intensive case management may cause the program to exacerbate, not eliminate, the problem.

After two decades of working in the nonprofit industry, Robin Chronister, an executive assistant for Mother Lode Rehabilitation in Placerville, noticed a gradual but clear change in the nonprofit sector.

In 2004, 28-year-old Kimberly Kaufman learned she had congestive heart failure.

In the fall of 2011, the executive directors of the Sacramento Philharmonic and the Sacramento Opera sat in their respective offices staring bleakly at financial reports that were telling each of them what they already knew:

Dorothy Hillbrant, who has stage III ovarian cancer, became one of about 30 local drivers for the American Cancer Society’s Road to Recovery Program, which has provided free rides to treatment for patients and their caregivers for about 30 years.

A twice-convicted felon, Ronita Iulio thought she had blown her last chance to salvage her life and family. After being released from prison in 2008, Iulio was anxious to reunite with her three children, but instead she faced an unsympathetic court that granted full custody to her ex-husband.

Since August 1999, Lial Jones has served as director of the Crocker Art Museum. During her tenure, she has led a capital campaign that successfully raised more than $120 million to finance the Teel Family Pavilion, a 125,000-square-foot addition that opened in October of 2010.

A growing movement of collaboration is uniting local nonprofits with faith-based organizations in an effort to maximize community impact by increasing manpower and financial support.

Kim Sturla’s biggest challenge isn’t caring for thousands of animals at a time. It’s trying to get people to think about a pig’s life in the same way they would think about a dog’s.