Addressing themes of reciprocity and stewardship, Jennifer Peart’s artwork draws inspiration from science fiction novels, retrofuturistic architecture and pristine natural landscapes. Her intricate, vivid landscapes, often featuring familiar landmarks, are delicately painted on sustainably sourced wood panels.

Many digital news outlets like the Folsom Times have popped up in the Capital Region over the past two decades. Are they destined to cease like the newspapers that came before them, or is it possible to build a local newsroom financially sustainable enough to last?

There were once dozens of theaters across the United States affiliated with Fox Film Corporation (also known as Fox Studios), in an era when moviemakers set up their own chains of theaters and sometimes commissioned grand film palaces. Some have long since been demolished, but others have shown what can happen after a successful push for preservation.

David Oorbeck and Tsutomu Kanaya, owners of Dru & Tsutomu Designs, say that some artist friends of theirs told them about Sacramento — that it was affordable and contained consumers “as attracted to creativity as in the Bay Area.”

Crest Theatre (formerly Empress Theatre) and Empress Tavern, which have been open since 1912 and 2015, respectively, is just one theater-restaurant pairing where you can have a full night out in Sacramento. From downtown Sacramento to Oak Park, legacy theaters around the region are serving up both dinner and a show. 

For stay-at-home mothers like Andrea Green, Khairunnisa Ismail and Shani Dharmasena, the Central Valley’s maker network gives them opportunities to make sales and talk with customers in the community.

On Dec. 21, Petty returns to The Sofia for the ninth-annual Hepcat’s Holla’ Daze Swinging Yuletide Revue, with tickets available through B Street Theatre’s website and box office.

Whether creating elaborate jewelry inspired by pre-colonial harvest rituals, collaging woodcut prints into an altar homage to her Filipino homeland or sculpting clay into aquatic life forms for an underwater installation, award-winning multidisciplinary artist Julie Bernadeth Crumb uses her hands to forge materials into meditations on culture, identity and Indigeneity.