David Oorbeck displays an original creation. (Photo by Cynthia J. Larsen, expanded with Adobe)

New Design Studio on R Street Weaves Its Way Into Sacramento

Fresh from the Bay, Dro & Tsutomu Designs creates bespoke textiles, jewelry and other crafts

Back Web Only Jan 22, 2025 By Ed Goldman

David Oorbeck, a self-taught weaver and clothing designer, is showing his visitors a handsome sweater with quite a literal pedigree, if you love dogs. “One of my clients, a lovely lady in Marin, had a Samoyed she loved very much,” he explains, beaming because he loves the story. “She groomed him every day since she was a child. And when the dog died a couple of decades ago, she had it sheared and saved the hair. Then she had it spun into yarn. And that’s what I used to weave this sweater.”

This coat was made for a client with the hair of her late Samoyed. (Photo courtesy of Dro & Tsutomu Designs)

He laughs. A big man with a boisterous laugh, you might meet him and picture him in a comic opera. You’d be right. He’s studied voice and music and thought he’d either be a tenor or a French horn player (which he studied at the Oberlin Conservatory of Music in Ohio). Instead, he followed another dream and found himself, about 20 years ago, in the textile arts. As a kid, he made his own backstrap loom, a portable weaving apparatus, using bamboo sticks. At 16, he says, “I spent the summer making macrame animals.”

Oorbeck and his business and life partner, Tsutomu Kanaya, have a new retail space at 1021 R St., Suite 106, in the brick building of studios and shops known as Arthouse on R. Their store is called Dro & Tsutomu Designs.

For Kanaya, handcrafting — including jewelry, scarves and patchwork quilts — is, he says, “a form of meditation.” Growing up in Fukuoka, Japan’s sixth-largest city, he credits his mother, who was well known in her region for creating handsewn kimonos, for his gentle, positive artistry — adjectives that may sound surprising when you learn that she hailed from a family of samurai, the country’s traditional warrior class.

A couple since 1996, Oorbeck and Kanaya plied their art on a consignment basis in San Francisco’s Hayes Valley neighborhood, a bastion of boutiques and studios that was laid low by the COVID pandemic. Coming out of that short but deadly era, Oorbeck says the two decided to open their own store. But the rent being asked, even after COVID closed so many places, was “ridiculous.”

He says that some artist friends of theirs told them about Sacramento — that it was affordable and contained consumers “as attracted to creativity as in the Bay Area.”

Tsutomu Kanaya displays one of his obsidian necklaces. (Photo by Cynthia J. Larsen)

You enter their store and studio, which features an enormous wooden loom as a centerpiece, through a doorway curtained with knotted, vertical ropes. Inside, there’s a clothes rack, a display case and a working area, where the owners work with materials such as alpaca, mohair, lamb’s wool, linen and silk for the clothing, shawls, rugs, ponchos, bags and ruanas they design and weave. (Ruanas are similar to ponchos: outer garments popular in the Andes, Colombia and other climes.)

The store also sells handmade jewelry, featuring gemstones, beads and obsidian necklaces. Oorbeck and Kanaya opened their store only a few months ago and already have been commissioned to do some large-scale works, like carpets.

“We’re not putting on a huge storefront or showroom,” says Oorbeck, the boisterous Penn to Kanaya’s soft-spoken Teller. “But we love explaining what we do to people.”

Subscribe to the Comstock’s newsletter today.

Recommended For You

Art Exposed: Julie Bernadeth Crumb

Weaving cultural memory and communal care into artistic practice

Whether creating elaborate jewelry inspired by pre-colonial harvest rituals, collaging woodcut prints into an altar homage to her Filipino homeland or sculpting clay into aquatic life forms for an underwater installation, award-winning multidisciplinary artist Julie Bernadeth Crumb uses her hands to forge materials into meditations on culture, identity and Indigeneity.

Nov 27, 2024 Marie-Elena Schembri